Thursday, May 10, 2012
Monday, May 7, 2012
Extension Form: Super Hero Filming Checkpoint 4
Thursday, April 26, 2012
Tuesday, April 24, 2012
Superhero Checkpoint 4
Angles
- Eye Line (SC)
- Low Angle (YA)
- High Angle (JM)
- Ariel Angle (SC)
- Dutch(JM)
Subject Shots
- Long Shot (SC)
- Medium Shot (YA) (SC)
- Close Up Shot (JM)
- Extremely Close Up Shot (SC)
Action Shots
- Establishing Shot (SC)
- Tracking Shot (SC)
- Head on Shot (YA)
- Reverse Shot(conversation) (SC)
- Vertical Pan (tripod)(JM)
- Horizontal Pan (tripod)(JM)
- Point of View (SC)
- Swish Pan (YA)
- Arc Shot (SC)
Cuts
- Cutaway (YA)
- Reaction (SC)
- Jump Cut (SC)
- Cross Cut (YA)
- Object Match Cut(JM)
- Black Match Cut (JM)
- Action Cut (YA)
- Progressive (JM)
- Cutting Rhythm (SC)
Wednesday, April 18, 2012
AE Tut 5
Monday, April 16, 2012
Wednesday, April 11, 2012
Tuesday, April 10, 2012
Monday, April 9, 2012
Thursday, April 5, 2012
Superhero Checkpoint 1
- Name: Memory-man
- Special Ability : Can memorize everything that he/she sees, hears, tastes with even just a preview
- Weakness: Physically weak.
- Appearance description: Small, with glasses
- Name: Chi-man
- Special Ability : can exert energy-balls from his/her body
- Weakness: Can't hide his/her emotions very well, and his/her body reacts with different forms of energy that corresponds with his/her emotions.
- Appearance description: If a girl, hair tied back. pulled up sleeves.
Tuesday, April 3, 2012
Saturday, March 31, 2012
Wednesday, March 28, 2012
Tuesday, March 27, 2012
Sunday, March 25, 2012
Task 1a Master Shots
Victim: AJ
Unseen Attacker: (Not seen)
Props Needed: None
Sunday, March 11, 2012
Thursday, March 8, 2012
Tuesday, March 6, 2012
Sunday, March 4, 2012
Thursday, February 23, 2012
Tuesday, February 21, 2012
Saturday, February 18, 2012
Tuesday, February 14, 2012
Script CP 7 Actor List
Sunday, February 12, 2012
Saturday, February 11, 2012
Friday, February 10, 2012
Monday, February 6, 2012
Sunday, February 5, 2012
Task 3.3a Cause and Effect
PSA Topic: Wearing Shoes
First narrative line of text: When you walk without shoes, your feet becomes vulnerable.
[A: eye-level, S: establishing/long shot, then to head-on shot] Second line: When your feet becomes and vulnerable, you become sick.
[A: low angle, S: closeup] Third line: When you become sick, you can't go to school for a while.
[A: high angle, S: extremely closeup] Fourth line: When you can't go to school for a while, you lose friends.
[A: low angle, S: medium dolly shot] Fifth line: When you lose friends, you eat alone.
[A: dutch, S: long establishing shot, then to tracking medium shot] Sixth line: When you eat alone, you lose self-esteem.
[A: aeriel, S: long tracking shot] Conclusion: Don't lose self-esteem... Wear shoes on outdoors
Thursday, February 2, 2012
Script CP 5: Script Scenes
Scene 1
Location: School (Entrance)
Actors: Boy 1 (Yazeed), students trying to get to school
Props: Natural Setting (in school uniform)
Summary of scene: Yazeed gets to school and is asked if he likes school. And what about the school he likes (mainly academics, sports, community).
Location: School (Library)
Actors: Boy 1 (Yazeed)
Props: Natural setting (in school uniform)
Summary of scene: Yazeed is studying at school, and finishing his homework. He is concentrating very hard. He is asked what he wants to become when he grows up, and a second option. What do academics and soccer mean to him? What are the challenges in keeping the balance between the two?
Monday, January 30, 2012
Storytell Tutorial 3
Sunday, January 29, 2012
Wednesday, January 18, 2012
Léonard Cohen "Plato" (2010) by Ian Lumsden
I sometimes write a review, then scrap it, change the film, get it wrong, scrap it, write it again, scrap it, go back to the original via the Recycle Bin, and start again. Actually I don't. I've no time for that. So what I write I publish, given a little pruning. The fabulously named Léonard Cohen and his equally fabulously entitled creation, Plato. Here a figure struggles to get the shape just right. Time and again the object is discarded until, as an apple falling from a tree - or was that another Eureka moment and a different Brit or Greek - a solution is found. Funny, retro, clever and fluidly drawn. Léonard studied at École Nationale Supérieure des Arts Décoratifand received Best Graduation Film at Annecy 2011. How gratifying the judges rewarded such an simple, inventive film, given a plethora of mind boggling 3D with every colour in the palette movies, many of which I, of course, feature here.
Sunday, January 15, 2012
Snowy
Hey! How did you do that?
I posted this picture yesterday afternoon on my Facebook wall and was asked this very question.
Camera Nikon D700
Exposure 1/8000 sec
Aperture f/1.8
Focal Length 85 mm
ISO Speed 400
Those setting are immaterial this time.
To tell the truth, I just grabbed the camera.
The 85mm lens was on it.
The aperture was already on 1.8
The ISO I did have to change because it was on 1250 from shooting the previous night.
I lowered the ISO to 400.
When I lined up my exposure meter/ shutter speed; this is where is fell (1/8000)
This super fast shutter speed stopped to snowflakes.
It was accidental. Meaning, I didn’t think about it.
But a fast shutter speed is probably pretty important.
What I did do…..
I took the camera off of auto focus and I manually focused on the snowflakes.
Trying to focus on the falling flakes was just not possible on auto focus. The camera kept wanting to focus on the trees
in the background. So I switched the camera to manual focus. (This is a little lever on the side of my camera. Look in your manual to find out where your button/lever is.)
I needed something dark in the background so the snowflakes would show up so I aimed my camera at this trio of pines.
Click. Click.
That’s all there is to it.
I didn’t even have to get my feet wet, as I took this picture from our back door.
“The first fall of snow is not only an event, it is a magical event. You go to bed in one kind of a world and wake up in another quite different, and if this is not enchantment then where is it to be found?”
~J.B. Priestley
Encourage one another,
Miz Booshay